The most important professional subject, whose task is to develop instrumental knowledge, to achieve the level of knowledge required to acquire professional instrument art at the artistic level. Musical, technical knowledge elements, style knowledge, repertoire knowledge; the development of general performing skills, the development of disciplines required for independent artistic activity (eg, dignity, discipline, self-control, etc.); deepen the practice of concerts in concert; the examination of the learned works from a pedagogical point of view, playing a part of the pedagogical repertoire.

Selected learning material / literature:
John Stevens: Salve Venere, Salve Marte
Eugéne Bozza: Concertino
Sagletti: Conertino
John Williams: Concert
Julius Jacobsen: Suffered Tubes
Madsen: Sonata
Landquist: Landscape
Szentpáli: Tubaverseny
John Stevens: Sisiphus
G.F.Handel: F major sonata
G. F. Händel: son of e-moll
T. Albinoni: F major sonata
Marcello: Sonata
Marcello: concert d-moll
J. S. Bach: A major sonata
J. S. Bach: Match
J. S. Bach: C-Male Suite
Salliard: Sonata of D minor
Eccles: G-moll sonata

Orchestral excerpts:
Bartók: Concerto
Delibes: Coppélia Mazurka
Hindemith: Sinfonische Metamorphosen
Kodály: Háry János Suite – Napoleon Battle
Flour: Les Preludes
Mahler: Symphony I III. movements
Wagner: Tannhäuser – Act 1
Wagner: The Nuremberg Masters – Overture
Wagner: The Treasure of the Rhine

Exam Program in each semester:
One slow and fast movements of two different styles performing pieces and two etudes. One practice and one piece is mandatory from memory.

Diplom Concert Program:
A significant concert from memory and two other performing pieces (one can be another concert), preferably with all the styles, with special attention to the works of contemporary Hungarian and other contemporary composers. And a piece of a chamber work in which the candidate plays a leading role.